Studio: Citebeur / French Connection
Directed by: Citebeur
Year of Production / Release: 2005
Country of Production: France
Abdel
Dark Skin
Matos De Blackoss
Fabsou
Brice Farmer
Max
Francois Sagat
Thomas
aka: MATOS DE BLACKOSS 1
Wow, indeed! Citebeur has quickly become one of our favorite import studios, and this co-production – aka Matos de Blackoss – with France’s Univers Black (that spelling is correct, there’s no “e”) might be their best one yet.
An off-screen narrator (subtitled in semi-broken English) sets up each mostly unrelated scenario with a bit of dirty-taling exposition before the models get to it. There are so many great scenes, but my favorites include the opener – a solo – with the insanely-dicked Max. He’s seen lying on a bed in jeans, and when he oh-so-slowly starts rubbing his monster through the denim, I nearly lost it. His cock is a glorious piece, and his cumshot maginificent.
Another standout is the fifth scene, with Max and some unnammed “bro” that take place in an underground parking garage in Paris. The two park their car – leaving the headlights on – and go right at it. Probably shot late at night, the fact that someone could have pulled in at any time and stumbled across the action made it all the more exciting. Some fantastic oral action here, and the cumshots are blasters. The seventh and final scene takes place between cover model Dark Skin and super-yummy François Sagat (this is the first interracial scene he shot). Both are working out in an apartment (a tad too dimly lit) and go to town. There’s some nice foot shrimping before François takes to topping the stunningly built dark-skinned Dark Skin. Great scene!
Other scenes include a threeway between two darker-complexioned dudes and a thin young twink, another parking garage tryst, and several other pairings. Cumshots throughout are massive, some insanely so, and the oral work, anal pluggings and rimjobs more than satisfy. As stated earlier, some of the camerwork is a tad dark where it shouldn’t be (the parking garage scenes make sense; ones shot in apartments should be brighter) and the narrator’s overly-enthusiastic interjections between scenes felt a bit too “sales pitch” to me, but for the most part Black Street Muscle Vol. 1 ruled.
AVAILABLE FROM: TLA VIDEO